These work as accordion mics! Decent external wireless pickup mics for accordions are hard to find. Even though these are intended as lapel mics, they do the trick and sound good.
The fact that the two transmitters go to a single receiver which requires no external power source is super convenient for many performance situations. You can use these with a battery powered amp/speaker and amplify your accordion wirelessly without requiring an electrical outlet at all – ideal for busking. The transmitters have a long range and can be used in strolling performances. In most cases, you will need an eighth inch to quarter inch adapter.
For the keyboard side on a piano accordion, use velcro tape to attach one of the transmitters to the lower part of the grille, with the microphone pointing upwards. The high notes will be louder than the lower notes, but overall, the volume will sound more stable over the range of the keyboard than it would if you were to put the transmitter at the top facing down, or in the middle facing toward the keyboard.
On the button side, thread a velcro strap through the clip of the other transmitter and strap it to the outer side of the bass strap, so the microphone is pointing upwards. Cut the velcro strap to shorten it if needed so it fits snugly around the bass strap.
If you can find a black acrylic paint pen, I recommend painting over the blue lights on the transmitters; you’ll still be able to see the lights to know whether the transmitters are connecting, but they’ll be less glaringly bright on stage.
You can use these mics for recording also, but it would only make sense to do so in a live performance setting. For studio recording, it would make more sense to use stationary mics.
There are a few limitations to be aware of:
1) You cannot adjust the input gain, only the output gain. If there is noticeable distortion, there is no way to turn down the input gain, you’ll have to find a way to mount the transmitters differently. When I play on the bass side, the receiver indicates that there is some distortion, but it’s subtle enough that it probably wouldn’t be noticed in a performance setting. The sound quality is actually quite good.
2) You cannot adjust the volume of the two mics independently. If the keyboard side is too quiet, the only options are to mess with the EQ on the amp/speaker/mixer or to try adjusting the mic placement.
3) These mics are omnidirectional, which I think is idea for this kind of setup, but you’ll have to be extra careful about feedback issues.
I only just finished setting up and testing these mics, with guidance from a sound engineer friend. haven’t used them in performance yet. I will update this review if I encounter any issues. So far they seem like a great option for accordionists to know about.
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From the manufacturer
Wireless GO II
Dual Channel Wireless Microphone System
The multi-award winning RØDE Wireless GO II is simply the best sub-miniature wireless audio system available. However you create content, and whatever device you use, the Wireless GO II will effortlessly lift the quality of your content, delivering professional-grade audio every time.
The Wireless GO II takes wireless versatility to new heights. Connect to any device. Use the 3.5mm TRS analog output to connect to cameras or other audio recorders, or connect to smartphones, tablets and computers via the USB-C digital audio output. It is perfect for a whole range of content creation applications including filmmaking, on-camera or on-stage presentations, vlogging, Tiktoking, YouTubing, live-streaming and more.
With rock-solid wireless performance with a range of up to 200m and a fully digital transmission chain, the Wireless GO II offers the highest broadcast-grade audio, every time. And with on-board recording on each transmitter, your audio is always safe - even in difficult conditions.
Accessing all of the advanced features of the Wireless Go II is easy using the free RØDE Central app. Access your recordings, configure the transmitters, set output levels and more, all from an easy to use interface. With RØDE Central Mobile you can easily set everything up from your mobile phone - perfect when on location.
Compare with similar items
This Item  RØDE Wireless Go II Dual Channel Wireless System with Built-in Microphones with Analogue and Digital USB Outputs, Compatible with Cameras, Windows and MacOS computers, iOS and Android phones |  |  |  |  |  | |
| Price | -5% $284.00 List: $299.00 | -23% $229.00 List: $299.00 | $169.00 | $389.00 | $249.00 | $109.00 |
| Delivery | Get it as soon as Tuesday, May 14 | — | Get it as soon as Monday, May 13 | Get it May 9 - 13 | Get it as soon as Monday, May 13 | Get it as soon as Tuesday, May 14 |
| Customer Ratings | ||||||
| Sound quality | ||||||
| Easy to use | ||||||
| Value for money | ||||||
| Battery life | ||||||
| Sold By | Safe 'N Quick | Better Home NJ | Moman_PhotoGears | Sole Source AV Supply | Amazon.com | Hollyland Official Store |
| power source | Battery Powered | Battery Powered | Battery Powered | Rechargeable,Usb-c,Battery Powered | Battery Powered | Battery Powered |
| connectivity tech | USB | USB | 2.4GHZ | USB | Bluetooth, Wi-Fi | 2.4GHZ |
| connector type | 3.5 mm Jack, USB | USB | USB Type-C, 3.5 mm Jack | 3.5 mm Jack, USB | USB-C, Lightning, and 3.5mm TRS ports | 3.5 mm Jack |
| model number | WIGO II Dual | WIRELESS GO | G | WIGOII B | 6941565779968 | 6502 |
| battery quantity | 3 lithium polymer, 1 lithium ion, 3 product specific | 1 d, 1 lithium polymer, 1 lithium ion, 2 product specific | 1 lithium ion | — | 1 lithium ion | 4 lithium polymer, 4 lithium ion |
| audio sensitivity | 100 decibels | 100 decibels | — | — | 12 decibels | 86 decibels |
| noise level | 22 decibels | 21.8 decibels | — | — | 80 decibels | — |
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Reviews with images
These are great wireless accordion microphones
These work as accordion mics! Decent external wireless pickup mics for accordions are hard to find. Even though these are intended as lapel mics, they do the trick and sound good.The fact that the two transmitters go to a single receiver which requires no external power source is super convenient for many performance situations. You can use these with a battery powered amp/speaker and amplify your accordion wirelessly without requiring an electrical outlet at all – ideal for busking. The transmitters have a long range and can be used in strolling performances. In most cases, you will need an eighth inch to quarter inch adapter.For the keyboard side on a piano accordion, use velcro tape to attach one of the transmitters to the lower part of the grille, with the microphone pointing upwards. The high notes will be louder than the lower notes, but overall, the volume will sound more stable over the range of the keyboard than it would if you were to put the transmitter at the top facing down, or in the middle facing toward the keyboard.On the button side, thread a velcro strap through the clip of the other transmitter and strap it to the outer side of the bass strap, so the microphone is pointing upwards. Cut the velcro strap to shorten it if needed so it fits snugly around the bass strap.If you can find a black acrylic paint pen, I recommend painting over the blue lights on the transmitters; you’ll still be able to see the lights to know whether the transmitters are connecting, but they’ll be less glaringly bright on stage.You can use these mics for recording also, but it would only make sense to do so in a live performance setting. For studio recording, it would make more sense to use stationary mics.There are a few limitations to be aware of:1) You cannot adjust the input gain, only the output gain. If there is noticeable distortion, there is no way to turn down the input gain, you’ll have to find a way to mount the transmitters differently. When I play on the bass side, the receiver indicates that there is some distortion, but it’s subtle enough that it probably wouldn’t be noticed in a performance setting. The sound quality is actually quite good.2) You cannot adjust the volume of the two mics independently. If the keyboard side is too quiet, the only options are to mess with the EQ on the amp/speaker/mixer or to try adjusting the mic placement.3) These mics are omnidirectional, which I think is idea for this kind of setup, but you’ll have to be extra careful about feedback issues.I only just finished setting up and testing these mics, with guidance from a sound engineer friend. haven’t used them in performance yet. I will update this review if I encounter any issues. So far they seem like a great option for accordionists to know about.
Top reviews from the United States
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Reviewed in the United States on February 5, 2023
The fact that the two transmitters go to a single receiver which requires no external power source is super convenient for many performance situations. You can use these with a battery powered amp/speaker and amplify your accordion wirelessly without requiring an electrical outlet at all – ideal for busking. The transmitters have a long range and can be used in strolling performances. In most cases, you will need an eighth inch to quarter inch adapter.
For the keyboard side on a piano accordion, use velcro tape to attach one of the transmitters to the lower part of the grille, with the microphone pointing upwards. The high notes will be louder than the lower notes, but overall, the volume will sound more stable over the range of the keyboard than it would if you were to put the transmitter at the top facing down, or in the middle facing toward the keyboard.
On the button side, thread a velcro strap through the clip of the other transmitter and strap it to the outer side of the bass strap, so the microphone is pointing upwards. Cut the velcro strap to shorten it if needed so it fits snugly around the bass strap.
If you can find a black acrylic paint pen, I recommend painting over the blue lights on the transmitters; you’ll still be able to see the lights to know whether the transmitters are connecting, but they’ll be less glaringly bright on stage.
You can use these mics for recording also, but it would only make sense to do so in a live performance setting. For studio recording, it would make more sense to use stationary mics.
There are a few limitations to be aware of:
1) You cannot adjust the input gain, only the output gain. If there is noticeable distortion, there is no way to turn down the input gain, you’ll have to find a way to mount the transmitters differently. When I play on the bass side, the receiver indicates that there is some distortion, but it’s subtle enough that it probably wouldn’t be noticed in a performance setting. The sound quality is actually quite good.
2) You cannot adjust the volume of the two mics independently. If the keyboard side is too quiet, the only options are to mess with the EQ on the amp/speaker/mixer or to try adjusting the mic placement.
3) These mics are omnidirectional, which I think is idea for this kind of setup, but you’ll have to be extra careful about feedback issues.
I only just finished setting up and testing these mics, with guidance from a sound engineer friend. haven’t used them in performance yet. I will update this review if I encounter any issues. So far they seem like a great option for accordionists to know about.
Style: WIGO II DualVerified Purchase
These are great wireless accordion microphones
Reviewed in the United States on February 5, 2023
These work as accordion mics! Decent external wireless pickup mics for accordions are hard to find. Even though these are intended as lapel mics, they do the trick and sound good.Reviewed in the United States on February 5, 2023
The fact that the two transmitters go to a single receiver which requires no external power source is super convenient for many performance situations. You can use these with a battery powered amp/speaker and amplify your accordion wirelessly without requiring an electrical outlet at all – ideal for busking. The transmitters have a long range and can be used in strolling performances. In most cases, you will need an eighth inch to quarter inch adapter.
For the keyboard side on a piano accordion, use velcro tape to attach one of the transmitters to the lower part of the grille, with the microphone pointing upwards. The high notes will be louder than the lower notes, but overall, the volume will sound more stable over the range of the keyboard than it would if you were to put the transmitter at the top facing down, or in the middle facing toward the keyboard.
On the button side, thread a velcro strap through the clip of the other transmitter and strap it to the outer side of the bass strap, so the microphone is pointing upwards. Cut the velcro strap to shorten it if needed so it fits snugly around the bass strap.
If you can find a black acrylic paint pen, I recommend painting over the blue lights on the transmitters; you’ll still be able to see the lights to know whether the transmitters are connecting, but they’ll be less glaringly bright on stage.
You can use these mics for recording also, but it would only make sense to do so in a live performance setting. For studio recording, it would make more sense to use stationary mics.
There are a few limitations to be aware of:
1) You cannot adjust the input gain, only the output gain. If there is noticeable distortion, there is no way to turn down the input gain, you’ll have to find a way to mount the transmitters differently. When I play on the bass side, the receiver indicates that there is some distortion, but it’s subtle enough that it probably wouldn’t be noticed in a performance setting. The sound quality is actually quite good.
2) You cannot adjust the volume of the two mics independently. If the keyboard side is too quiet, the only options are to mess with the EQ on the amp/speaker/mixer or to try adjusting the mic placement.
3) These mics are omnidirectional, which I think is idea for this kind of setup, but you’ll have to be extra careful about feedback issues.
I only just finished setting up and testing these mics, with guidance from a sound engineer friend. haven’t used them in performance yet. I will update this review if I encounter any issues. So far they seem like a great option for accordionists to know about.
Images in this review
Top reviews from other countries
Yahaira Renteria
Súper funcional
Reviewed in Mexico on April 3, 2024Style: WIGO II DualVerified Purchase
Patrick
Bugs and issues cannot charge and connect to laptop
Reviewed in Sweden on November 28, 2023Style: WIGO II DualVerified Purchase
AbbyBReviewing
Perfect For Professionals & Amateurs Alike
Reviewed in Canada on May 15, 2021Style: WIGO II DualVerified Purchase
AbbyBReviewing
Reviewed in Canada on May 15, 2021
CONS: The price (very expensive). At this price they should have provided more cords because if you want to film/record audio/use the mic with a phone, GoPro or computer extra TRRS, USB C or lighting adapter cords are needed to use the GO ii. Case is too small and won't fit all the items included (will only hold the 2 transmitters & the receiver).
Overall, I would highly recommend the Rode Wireless GO ii to others! 👍
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Images in this review
Amazon-Kunde
Kabellose Freiheit und Exzellenz - RØDE Wireless GO II Zweikanal-Mikrofonsystem!
Reviewed in Germany on November 13, 2023Style: WIGO II DualVerified Purchase
Maddy
Wireless GO II de RØDE : Quand le Futur Frappe à la Porte de l'Audio !
Reviewed in France on October 24, 2023Style: WIGO II DualVerified Purchase
